Here Comes The Sun - Taking Your Strobes Outdoors

If you’ve been following this blog then you know that my favourite lighting tools are studio strobes for most everything I like to photograph.  The control of light, the power, the recycle time and great selection of lighting modifiers are all great reasons to love these lights. The term ‘studio strobes’ comes from the typical type of use these lights see – specifically, indoor use.  But as we gaze with hope at our calendars, we begin to dream once again about glorious spring and summer weather.  Our opportunity to get outdoors once again is almost here.  

Parabolics - Seriously Great Light

In studio lighting, parabolic reflectors are well known and have been around for many years.  If you’ve ever seen a professional studio setup and noticed what looks like a ridiculously huge umbrella-like modifier on set, chances are you’ve seen a parabolic reflector. While traditionally in the domain of the pro studio photographer, manufacturers are creating very exciting alternatives for deep parabolics that make them imminently more accessible (i.e. affordable) for anyone who would like to own one.  

* PLEASE NOTE: Some of the images contained in this blog were taken during Jen Rozenbaum‘s Boudoir workshop in Toronto and may contain material some might consider unsuitable for certain work environments *

When I first began shooting in a studio setting about ten years ago, I started with what are commonly called ‘hot’ lights.  Units like the Tota, Rifa and Redhead were all part of my kit. These lights were called ‘hot’ lights because they drew huge amounts of power to drive 500 watt (or higher) tungsten light tubes and generated tremendous heat.  You couldn’t plug these into a simple electrical outlet, you needed to find something with increased amperage tolerance so as not to blow a fuse or trip a circuit breaker.  Fast forward to present day and you’ll find that continuous light sources have really evolved.

Photo By Jim Ogilvie

When planning a studio portrait session for a friend or client, we often can get bogged down with concerns of the specific gear we will need to create a look we’re trying to achieve.  We may find that we don’t have the gear on hand to produce that ‘big soft light’ or perhaps we feel compelled to make things somewhat more difficult than they need to be. 

Portrait lighting is so much more than getting the light ‘correct’. It’s about creating a particular look through the lighting modifiers used.  Some modifiers are designed to produce a very soft, shadow-filling type of look.  Others produce a much harder light that accentuates texture and create a sense of drama. 

Aperture is a professional photo management and editing system from Apple, and has become popular with many photographers over the years. Recently Apple has indicated that no further development of this software will occur.  While there is the possibility of medium term support of the software (such as OS compatibility), we should not expect the software to grow beyond it’s current form.  

When creating portraits, or any other kind of lighted work for that matter, your approach to lighting your subject can have a significant effect on the overall mood of the finished shot.  Your subjects can be very softly lit for a flattering, very low contrast result.  Or you can go for something with more drama and contrast to evoke a mode in line with that aesthetic.