Learning

How To Shoot Panoramas

BY November 7, 2018 Learning

Have you ever felt that your landscape shot didn’t really capture the scope and breadth of the story you wanted to tell, but when you tried an ultra wide angle lens, everything looked really far away and seemed diminished? You aren’t alone. In the olden days (self jab there), we had dedicated cameras like the amazing Widelux that only shot panoramas. With our digital cameras, things got a whole lot easier. You may have already made some panoramas using your smartphone. Despite the micro sensors and the fact that they […]

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Is Your Kit Lens Holding You Back?

BY September 27, 2018 Gear, Learning

Lady holding camera

It’s easy to become attached to the quality lens that came with your digital single-lens reflex (DSLR) camera, and if you are like most photography buffs you have put it to good use. Most of these kit lenses provide a good focal range along with some versatility, but is it wise to depend on only one lens? As you strive to develop and hone your camera skills, reliance on a single lens might slow down the learning process. 

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Black and White Hollywood Glamour In-Studio

BY September 6, 2018 Learning

If you’re like me and have a passion for lighting, events like TIFF tend to bring out thoughts of trying something different or new. This week I decided to dig out an old theatrical optical spot that I have had for many years. I hadn’t actually used this piece of gear for a while, and it was time to shake the dust off of it and put it to use. Lighting is a fun and challenging component of studio work (and outdoor work, too). There are so many ways to […]

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Understanding Depth of Field

BY May 24, 2017 Articles, Learning, Quick Tips

Photo of a Guitar shows depth of field

Depth of field is an old term. It can be described as being the range of distances in an image where the image comes into focus to the distance where the image goes out of focus. There are three criteria for depth of field: Lens focal length, Aperture / Lens Opening, and the distance between the camera and subject. We will examine them individually, but keep in mind that their effects are cumulative.

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The One Lens Challenge

BY May 17, 2017 Articles, Learning, Quick Tips

Regardless of how many lenses you have, pick one, and then pick a focal length on the lens. If the lens is a prime, like a 50mm, this is easy. If it’s a zoom, pick a focal length somewhere in the zoom range and, using a piece of tape, prevent the zoom ring from moving. You now have a single focal length. The challenge is to find ways to construct your composition, your subject placement and your framing.

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