As you progress in the creative arts, how do you go from good to great? One giant step in the process is to learn the basics of colour theory, and the emotional context of colour.
If you’ve been shooting for quite a while, you may be looking for something more to expand your photographic horizons. Consider going to a larger sensor.
Spot Metering has a lot of power but used incorrectly often results in disastrous images. In this tutorial, we will learn to use it properly and for maximum effectiveness.
Ever run into a situation where you need a bit more light while shooting photo or video? As we create more and more content with our mobile devices, drones, and action cams, we find that their small sensors just don’t perform well when the light level is low. Wouldn’t it be great to be able to carry a portable sun in your pocket? Meet Lume Cube.
While you’re kicking back and relaxing this Canada Day long weekend, we’ve got some tips for you to browse through to help you keep your photography inspired. Release your creativity with some of these proven-to-work ideas!
For the general photographer, people photography can be challenging. We like the ability to quickly make images. And, we hate that, so often, there is something badly missing in our images. Here are some technical tips, in no particular order, of things that you can do that will improve your people photography.
For those photographers who shoot JPEGs only and are not interested in a lot of post-processing work, a creative filter system is ideal for more creativity in-camera. Cokin’s filter system, for example, is an easy-to-use, flexible option that offers a variety of creative opportunities.
Depth of field is an old term. It can be described as being the range of distances in an image where the image comes into focus to the distance where the image goes out of focus. There are three criteria for depth of field: Lens focal length, Aperture / Lens Opening, and the distance between the camera and subject. We will examine them individually, but keep in mind that their effects are cumulative.
Regardless of how many lenses you have, pick one, and then pick a focal length on the lens. If the lens is a prime, like a 50mm, this is easy. If it’s a zoom, pick a focal length somewhere in the zoom range and, using a piece of tape, prevent the zoom ring from moving. You now have a single focal length. The challenge is to find ways to construct your composition, your subject placement and your framing.
Spring is a great time of year to start thinking about teleconverters. Useful for bird, wildlife & sports photography, teleconverters are viable alternatives to spending thousands of dollars on a long lens. A teleconverter, paired with a decent zoom lens of reasonable speed, is a fine choice. This article dispels common myths about teleconverters, and explains just how useful they can be.