For about three weeks in early Spring, great swathes of elegant White Trilliums carpet the floors of forests, before trees’ leaves fully develop and block out the sunlight. It’s a great opportunity to get out and photograph the abundance of wildflowers that can’t be seen at any other time of year.
Have you ever felt that your landscape shot didn’t really capture the scope and breadth of the story you wanted to tell, but when you tried an ultra wide angle lens, everything looked really far away and seemed diminished? You aren’t alone. In the olden days (self jab there), we had dedicated cameras like the amazing Widelux that only shot panoramas. With our digital cameras, things got a whole lot easier. You may have already made some panoramas using your smartphone. Despite the micro sensors and the fact that they […]
One of the most popular genres of photography is landscape photography. Great landscapes are easier to capture by having the right gear. You may not be thinking about the other bits of kit that will help you make better images so here are 11 must haves when shooting landscapes
For those photographers who shoot JPEGs only and are not interested in a lot of post-processing work, a creative filter system is ideal for more creativity in-camera. Cokin’s filter system, for example, is an easy-to-use, flexible option that offers a variety of creative opportunities.
Spring is a great time of year to start thinking about teleconverters. Useful for bird, wildlife & sports photography, teleconverters are viable alternatives to spending thousands of dollars on a long lens. A teleconverter, paired with a decent zoom lens of reasonable speed, is a fine choice. This article dispels common myths about teleconverters, and explains just how useful they can be.
If I have long lenses, why would I, or anyone else for that matter, need a pair of binoculars? If I did, how would I know what distinguishes one pair from another?