On The Road To Great Light

* PLEASE NOTE: Some of the images contained in this blog were taken during Jen Rozenbaum‘s Boudoir workshop in Toronto and may contain material some might consider unsuitable for certain work environments *

When I first began shooting in a studio setting about ten years ago, I started with what are commonly called ‘hot’ lights.  Units like the Tota, Rifa and Redhead were all part of my kit. These lights were called ‘hot’ lights because they drew huge amounts of power to drive 500 watt (or higher) tungsten light tubes and generated tremendous heat.  You couldn’t plug these into a simple electrical outlet, you needed to find something with increased amperage tolerance so as not to blow a fuse or trip a circuit breaker.  Fast forward to present day and you’ll find that continuous light sources have really evolved.

Photo By Jim Ogilvie

When planning a studio portrait session for a friend or client, we often can get bogged down with concerns of the specific gear we will need to create a look we’re trying to achieve.  We may find that we don’t have the gear on hand to produce that ‘big soft light’ or perhaps we feel compelled to make things somewhat more difficult than they need to be. 

Aperture is a professional photo management and editing system from Apple, and has become popular with many photographers over the years. Recently Apple has indicated that no further development of this software will occur.  While there is the possibility of medium term support of the software (such as OS compatibility), we should not expect the software to grow beyond it’s current form.  

When creating portraits, or any other kind of lighted work for that matter, your approach to lighting your subject can have a significant effect on the overall mood of the finished shot.  Your subjects can be very softly lit for a flattering, very low contrast result.  Or you can go for something with more drama and contrast to evoke a mode in line with that aesthetic.

When I teach someone about how to use strobes for lighting a portrait, they always seem amazed as to how simple the technical hurdles are to getting started.  One’s initial impression of a potentially difficult, complex and highly technical world becomes a fairly simple affair.

It’s easy to understand how someone can be led to believe that using strobe lighting is difficult.  The various pieces of the puzzle can have an outward appearance of being technically complex and sophisticated.  Taken one piece at a time, you can learn the essentials of lighting very quickly, after which it becomes a matter of practice with the lights themselves to get portraits that you love.